Tempus Fugit, I think

Good thing I can look it up in the dictionary. Anyhow, time does fly.

Well, before I start kvetching about having too much to do, I should say that the reason I was inspired to post again was that I now, suddenly, have over 30 followers! Thank you all so much! I’m sorry I don’t have any more eye candy to post; don’t remember the last time I took time for photographs. Found one – it’s at the bottom.

Back to time flying – there are just 7 weeks to go before the first show of the fall, so I have to crank up the production numbers. I did get a lot of snow dyeing done last weekend – still washing it out. Family visit this weekend, and a trip to the Hershey show (as a visitor), then another week to snow-dye or work on poly. (More on that below.) Then I’m teaching a day class on discharge the weekend of the 13th, one-on-one, so I’m starting to dye and fold fabric for that. Then I need to prep for a demo at Oaks on Kanzashi, and a speaking engagement in October, the day before the Quakertown Show. There’s also the annual Chautauqua Show in the end of October, too! And some exciting news – I’m going to teach a 3-hour class at the Somerset show in March – Quilt Fest of NJ.

I read a great article in Quilting Arts today by Marie-Therese Wisniowski on her ‘Multisperse Dye Sublimation’ technique for polyester. I can start painting papers with dye right away, and pull out the heat press once the 90-100 degree F temperatures are over with. And I want to do more sun printing on poly, too, and try some mandalas. Plus I found a source for the sheer iridescent polyester, like I got at Jo-Ann. That’s been popular, so I must order a roll, plus more muslin, maybe. . . . So I’m keeping busy. Thanks again to my followers; if I had a tail it would be wagging!

PS - here’s a picture I have been playing with – it’s the leftovers on the lid of a bucket of spackle. I’ve learned a good bit about using Photoshop Elements in working with this one image. Maybe I should get a Thermofax screen made of it. Forgot it was there!

Kanzashi Krazy

Well, I heard about these from people who were at Spring Market, the annual trade show for the quilt industry. Kanzashi are a traditional craft from Japan – flowers made of folded fabric. Some of the folds are the same as Origami. I ordered a book by Diane Gilleland, called Kanzashi in Bloom and started making lots of petals and turning them into flowers while I waited for the nifty Kanzashi makers from Clover to come in. And I also found some patterns for brooches from la Todera patterns. Between those sources, I learned three different ways to make flowers and petals. Enough said – here are the pictures!

This is one of the first flowers I made, from a piece of snow-dyed fabric. It’s a little, well a Lot wonky. But we have to start somewhere.

Also an early effort, it was fun to incorporate different sorts of petals. More snow dyed cotton, plus white radiance.

This is a small flower made of hand-dyed Nusuede. Fun to have different texture choices.

The purple flower is made with rounded petals, which I think are the most versatile. Adding a little embroidery floss as a tie in the button adds a little flourish, I think.

The orange and white flower sports a center that was the button off a pair of pajamas. Did I mention I have 17 pounds of buttons? This double-layer style can’t be made with the Kanzashi makers, unless the fabric is very thin.

Here are a couple more early efforts. The center in
the left-hand flower is a piece of a plastic flower that looks like Queen Anne’s lace. Just the ticket for this use. Also, I learned that this gauge wire is way to thin to support the flower.

This black and copper flower looks super on the lapel of a linen-look blazer I have. The fabric is a commercial black batik that I discharged as a test. The button adds just the touch for a rather elegant flower (IMHO.)

The flip-flops were an idea from Diane’s Kanzashi book. The fabric, snowdyed; the buttons are from the stash – they were shoe buttons, I believe.

The final two lush flowers are made per the instructions in the Camelia Gigantus Brooch pattern from la Todera. The first is a mix of solid and snow-dyed cottons, the second is made from ombre’ Radiance. Both have padding under the petals to give them a greater three-dimensional quality. The smaller one has been living on a straw hat, when the larger one has a backing fabric attached, it will end up on a tote bag, I think.

Thanks for looking; and PS – the Clover Kanzashi makers are available at www.dippydyes.com!

Deadlines are past

Well, I did my usual last-minute work last week, and got work submitted before the deadline – barely. One was a submission of photos of my quilts for inclusion in Mary Kerr’s upcoming book about art quilts. Of course, I didn’t pay for professional photography, and when I realized I hadn’t taken sufficiently high resolution pictures, my photoflood bulb burned out. And my dog ate my homework.

The second project was a little more understandable, but still somewhat Mickey-Mouse’d. (Oooo, I hope the denizens of Orlando and Anaheim aren’t offended.) Anyway, I have been working on a piece of fabric for about 8 months, contemplating how to add a layer of black over the snow-dyed cloth. My sample piece includes:

• black paint
• black and clear deColourant
• black and clear Shiva Paintstiks
• black and various other very dark colors of Tsukineko ink
• deep navy vat dye
• metallic paint and ink
• black stitching

About 10 days ago I finally hit on using a potato dextrin resist and thickened dye.  Then  I washed it out and used thickened bleach over a new application of dextrin. Here’s a picture:

I really, really like the look and want to do both layers again to a large piece of cloth. Problem is I didn’t have time to do that to the piece of fabric for the quilt submission. So that can wait for a future piece. All that said, I do like the look of the final cloth for the quilt. Without more ado, here’s a picture of the quilt, and a detail:

 

 

 

 

 

I’m happy with the result, and now I have to wait to see if it is accepted in the Deep Spaces exhibit. Fingers and toes are crossed!

More vat results

Got some better results on Saturday with clamped resists. The first picture shows the fabric I started with. I tested it with deColourant and a decent turquoise color remained, which is the result of using Intense blue in the mix. There’s also a general blue halo that creeps out into the white areas of the original cloth.

The first piece I folded into an equilateral triangle and then dyed the corners and edges different colors. That went into the yellow vat first for a fairly long time. The other colors used were medium blue and violet. I spent the most time working the yellow into all the crevasses. That seems pretty evident from the fact that there’s fairly even amounts of yellow throughout. Also, that there are less even amounts of the other colors is evident, and is due to the fact that I didn’t spend as much time manipulating the cloth in the bath. The center still has the darkest area showing, like the original fabric did. The green/olive area in the center it the yellow dye overlaying (converging!) with the non-discharging blue.

The second one was fan-folded cross-wise and lengthwise into a rectangle. One edge went into the yellow vat. It was the second use, and did not remain as long, so there’s less yellow on the fabric. It also went into the medium blue and violet vats, then into a vat mixed from violet and red.  An interesting piece, and I did learn a bit from both.

About vat dyeing

A couple questions came through regarding 'what is vat dyeing - the process, the effects to achieve? Vat dyes are a distinct class of dyes that are applied at fairly high heat, compared to MX, at least. Temperatures between 120 - 150 degrees F at any rate, with Thiox as a reducing agent (no oxygen in the bath) and lye to raise the pH very high. Because of the Thiox, color is removed at the same time that the vat dyes are applied. Because the thiox creeps farther than the dye does, you can get halos around the new color. And you can over dye a dark color with a lighter color, because the original MX (in my case) color is removed. Vat dyes also work on other types of dye than MX, but I'll have to check my notes to be sure. I do know other fiber-reactive dyes will discharge. But because of the extreme pH, you can't use vat dyes on wool. With TLC, you can use it on silk. Here's a close-up of a section of the gold and purple fabric showing some haloing where the darkest color creeps across the slightly lighter violet diamond:

The process is a little more hazardous than working with MX - more safety gear is required because of the lye. But the results are worth it, and once I practice, practice, practice, I hope I'll be able to get results like the photos in my March 26 post. Nothing like wanting to achieve the work of the master on day 3 of class! Elin has another class this summer at Whidby Island - go there if you can!!

I hope to continue with vat dyes, as well as MX and disperse and to keep adding pictures here and at DippyDyes.com, where I sell my fabric. Thanks for looking, and for the encouragement!

Wrong-color quilt

I was reading Kay Sorensen's blog post on color: http://quiltspluscolor.blogspot.com/2011/04/i-have-ocd-think-color.html and had to post these pictures:

Is this wrong? I still like it. Below is  a picture of it under construction converted to black and white. That really shows how important value is!

 Kay, I do know what you're talking about, but from both sides. When I sell Tsukineko ink in the booth at shows, I always arrange them from neutrals to - browns - orange - yellow - green - blue - purple - red. Hubby is bothered that this is NOT Roy - Gee - Biv, the way he learned in science class.

Vat results

Well, I have gotten some work done with vat dyes since I got back from class. Here are pictures of the results, from worst to best. A couple were started in class and at the least were soaped out here at home.

This fabric was pretty poor to begin with. It needs more work. In person it’s very bright and cheerful.

This was a reject from Barbara of MXDyers. I like it better, except the right end. A class experiment.







A 42 x 45 square of broadcloth dyed charcoal (my own recipe.) Not the results I had hoped for, but a nice piece as it is.








A boring, solid green fat quarter improved by hand stitching and a medium blue vat dye.






Cotton-silk voile – you can see through it to an 8 1/2” x 11” piece of paper in the upper left corner.







A yard of black Radiance, run through a smocking pleater and discharged and dyed in multiple vats.






Four 21” squares of broadcloth. Each was folded the same way and dyed in several vats in the same sequence. Each one is different, and I’m quite pleased with them! The set is for sale here.
Thanks Elin!